Hannah Winspear-Schillings

Hannah Winspear-Schillings is Melbourne-based writer, having previously been published in Farrago, Concrete, and Forge & Flint. Her theatre writing credits include The Breaths In Between (Eleven O’Clock Theatre, 2022), and facet (Floor Work, 2020). She has a keen interest in Victorian literature, nineteenth-century psychology, neurodivergence, and the Gothic. She has previously worked in autism research with the Autism Cooperative Research Centre (AutismCRC). She also holds an honours degree from the University of Melbourne, with her thesis focused on interpretive methods for reading Edgar Allan Poe’s characters as autistic.