Hannah Winspear-Schillings is Melbourne-based writer, having previously been published in Farrago, Concrete, and Forge & Flint. Her theatre writing credits include The Breaths In Between (Eleven O’Clock Theatre, 2022), and facet (Floor Work, 2020). She has a keen interest in Victorian literature, nineteenth-century psychology, neurodivergence, and the Gothic. She has previously worked in autism research with the Autism Cooperative Research Centre (AutismCRC). She also holds an honours degree from the University of Melbourne, with her thesis focused on interpretive methods for reading Edgar Allan Poe’s characters as autistic.
Artist
Hannah Winspear-Schillings
Writeability: Self-told Stories
This panel features writers who have lived experience of disability reflecting on writing today.
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Hear these sports-focused writers and artists explore pathways to sports writing, representation in sport storytelling, the creative possibilities in sport and how we can use sport to tell our stories.
EWF X Crawlspace: ◚
This year, Crawlspace has commissioned 5 works of digital literature for an exclusive EWF issue on their platform.
Masterclass: Genre Fiction
Join this group of remarkable writers for a day of everything genre fiction.
Bella Li: Composition as Explanation
What is it we do when we write? How does composition relate to vision? Bella Li discusses two particular methods of composition – collage and ekphrasis – as well as general compositional principles of structure and sequence, in works of poetry.
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